But how good it felt to recognize the opening chords, then the descending bass line, to know the song even before you could name it, a surge of melodic rock and roll excitement lifted over the top with a camera movement that was nothing less than operatic (lest we forget whose birthday this is). Admitted, the music the other Walter had in mind was a long way from “Baby Blue,” the song that Breaking Bad aspired and ascended to the other Sunday. Right now after a week of having Badfinger’s freshly resurrected hit from 1972 playing in my head, I keep hearing “Follie! Follie!” (“Madness! Madness!”) from the first act of Zeferelli’s lavish 1983 film version of La Traviata. Ten million people in one night, not to mention all those who saw Breaking Bad on DVD or On Demand or who streamed it or dreamed it - that’s popular! When Frank Capra came to Princeton to talk to some film students, his main message was that all the art in the world that ever mattered was popular. Now right on cue here comes Walter Pater reminding me that all art “aspires to a condition of music” and I’m thinking how well that describes the aspiring, ascending final moment of Vince Gilligan’s phenomenal series, which just ended its five-year run on AMC with an audience said to number 10.3 million.
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It ascends me into the brain, dries me there all the foolish and dull and crudy vapors which environ it, makes it apprehensive, quick, forgetive, full of nimble, fiery, and delectable shapes, which, delivered o’er to the voice, the tongue, which is the birth, becomes excellent wit.” It begins to look as though the theme of this column is why not have Verdi, Shakespeare, Bryan Cranston, Badfinger, high art, pop art, rock and roll, Faustus and Mephistophles, Violetta and Walt singing and dancing and scheming in the same 1800-word opera house? Verdi grew up in a tavern, after all, and returned to his roots at 80 for the tavern scenes in Falstaff, where the title character embodies the highs and lows of art and expounds on the joys of getting divinely drunk: “A good sherris-sack hath a twofold operation in it. What could possibly justify putting the man who gave us Rigoletto, Falstaff, and La Traviata on hold for another week? How about the concluding episode of Breaking Bad ? So much for high art, right? Joe Green meet Walter White. Somehow a column marking Giuseppi Verdi’s 200th birthday has gone astray and broken bad. The colors certain characters wear indicate specific aspects of their personality, and you can even track a character's development through the colors they tend to wear.You never know. In a Reddit thread started by u/420nipnops, color theory in Breaking Bad goes far beyond surface-level names. The meth they sell is famous for being blue. Think about it: Two of the main characters are Walter "White." Jesse "Pink"-man. And if you're planning your next Breaking Bad binge-watch on Netflix, then you definitely want to pay attention to the colors the characters wear.Ĭolors play a key role in the series. If you were to rewatch it now, then you would probably pick up on all kinds of Breaking Bad Easter eggs that went over your head the first time.
A single line of dialogue foreshadows what's to come years later. There are details in the first season that don't pay off until the fifth. Vince Gilligan and crew took a story of a high school chemistry teacher and his former student selling meth and turned it into high art.
Finally, it's a show that rewards rewatches as you gradually realize how much attention to detail each Breaking Bad season contained.
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The show knew how to balance humor and tension exceptionally well, particularly within the chemistry between its two leads, Walter White (Bryan Cranston) and Jesse Pinkman (Aaron Paul). The writing and directing made you feel like you were watching a high-caliber film every week. There are numerous reasons why fans continue to obsess over Breaking Bad to this day.
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